The Marriage of Figaro Guide, Meaning , Facts, Information and Description
The Marriage of Figaro, is a comic opera composed in 1786 by Wolfgang Amadeus Mozart, with libretto by Lorenzo da Ponte, based on a stage comedy by Beaumarchais. Its original Italian title is Le Nozze di Figaro.
Plot
The story is a continuation of The Barber of Seville. Rosina is now the Countess Almaviva; her husband, the Count, however, is not a pattern of virtue, but is seeking the love of the gardener's (Antonio) daughter, Barbarina. When he detects the rivalry of the young page, Cherubino, he tries to get rid of him by giving him an officer's commission and sending him off to war. Figaro has entered the service of the count and is making preparations for his nuptials with Rosina's ward, Susanna. The part of Cherubino, a man, is sung by a woman. (The term pants role is used in opera to refer to this type of casting.)
Act I
A room in the palace. Figaro is measuring the space for the placing of the furniture. Susanna is trying on a hat before the mirror. [At the present day, following the French original more closely, the bridal wreath is substituted for the hat.] (Duet: "Five, ten, twenty, thirty.") They talk of the future. Susanna is annoyed by the gallantry of Almaviva, but is reassured by Figaro. Dr. Bartholo arrives, and is engaged by Marzelline, the housekeeper, as counsel, for she intends to bring suit against Figaro, who had previously promised her marriage to cancel a debt. Duet between Marzelline and Susanna: Cherubino arrives and asks Susanna's aid with the count, as he does not wish to go away. When the count and Basilio appear, he hides himself, and Susanna pretends to faint; in the confusion, Cherubino jumps upon a chair and covers himself with a woman's dress. The count discovers him, and he is only saved from punishment by the entrance of the peasants. Cherubino is compelled to depart, and Figaro gives him good advice. Act II
Room of the countess. The countess laments her husband's infidelity. (Aria: "Holy source of my desires.") Susanna admits Cherubino, and they proceed to attire him in women's clothes in order that he may attend the wedding. (Aria of Cherubino: "Ye, who know the desires of my heart.") They dress his hair. (Susanna's aria: "Come nearer, kneel before me.") The count arriving, Cherubino flies into the next room, into which the count wishes to enter, having heard some one moving about. The countess pretends it is only Susanna, and the count, locking all the doors, leaves with the countess to find some way of getting into the room. (Terzett: "Now, then, will it soon be done?" Duet: "Dear countess, may I ask.") Susanna frees Cherubino, who jumps from the window, and she enters the room from which he has escaped. The count and countess return. He thinks Cherubino has hidden himself, but finds to his astonishment only Susanna. (Finale: "Come out, young miscreant.") In the meantime, Figaro, who fears the gallantries of the count, attempts to prevent him from appearing at his wedding by an anonymous letter, but interrogated by the countess confesses that he has written it. When Antonio, the gardener, brings in a letter, which he says has been dropped by a man who escaped through the window, Figaro pretends that he has been with Susanna. The document, however, proves to be Cherubino's appointment as an officer, and Figaro gets out of this scrape also by presenting it to the count for the purpose of affixing his seal, which was missing. Marzelline, Bartholo and Basilio now appear, and the former brings her charge against Figaro. The wedding is postponed in order that the count may investigate.Act III
The festal chamber. The count is confused by the preceding occurrences, and at the request of the countess, Susanna agrees to meet him in the garden. She first changes clothes with the countess. (Duet: "Long have I languished.") Susanna whispers to Figaro that success is now certain and his suit is won. The count is angry. (Aria: "Shall I have my happiness?") The court scene follows (Sextet, Almaviva, Figaro, Don Guzman, Bartholo, the countess and Susanna: "Behold your father"), in which it appears that Figaro is the natural son of Marzelline and Bartholo, so he cannot possibly marry the housekeeper. The countess is left alone (Recitative and aria: "And Susanna comes not"), when the maid arrives and reports everything favourable. The countess dictates a love letter for Susanna to send. (Duet: "Now shall I?") The count is to return the pin which fastens the letter, in token that he has received it. A chorus of young peasants, among them Cherubino, serenades the countess. ("Countess, the roses.") The count arrives with Antonio, and, discovering the page, is enraged, but is appeased by Susanna's letter. He tears his finger with the pin, which annoys him once more. (March and finale: "Let us march in order.") The act closes with an invitation to the evening's feast. (Chorus: "Faithful lovers with wreaths bedecked.")