The Lord of the Rings Guide, Meaning , Facts, Information and Description
The Lord of the Rings is an epic fantasy story by J. R. R. Tolkien, a sequel to his earlier work, The Hobbit.
For more information on the fictional universe the story takes place in, including lists of characters and locations, see Middle-earth.
The story's name is derived from the Dark Lord Sauron of Mordor, the primary villain of the work, who created the Ruling Ring and is thus the "Lord of the Rings" that the title refers to. However, he is but the servant of an earlier Dark Lord, Morgoth (Melkor), who is prominent in Tolkien's The Silmarillion.
Books and Volumes
Tolkien did not originally intend to write another book after writing The Hobbit, but began to compose 'a new hobbit' after persuasion by his publishers. Writing was slow, mostly due to Tolkien's wish to achieve perfection; he looked on his works as a sub-creation and himself as the sub-creator, and believed it was his duty to create.
The work was originally intended by Tolkien to be published in one large volume, but the post-war paper shortage ruled this out.
Instead it was divided into three volumes (The Fellowship of the Ring: Books I and II; The Two Towers: Books III and IV; and The Return of the King: Books V and VI, 6 appendices), and these were published from 1954 to 1955. In 1966, four indices which were not compiled by Tolkien were added to The Return of the King.
He did not, however, much like the title The Return of the King, believing it gave away too much of the storyline. He had originally suggested The War of the Ring which was dismissed by his publishers.
The titles of the six "books" are:
- Book I: The Return of the Shadow
- Book II: The Fellowship of the Ring
- Book III: The Treason of Isengard
- Book IV: The Journey to Mordor
- Book V: The War of the Ring
- Book VI: The Return of the King
A British 7-volume box set followed the six-book division authored by Tolkien, but with the Appendices from the end of Book VI bound as a separate volume. The individual names for books in this series were decided posthumously, based on a combination of suggestions Tolkien had made during his lifetime, title of the volumes, and whole cloth.
The name of the complete work is often abbreviated to LotR, LOTR, or simply LR, and the three volumes as FR, FOTR, or FotR (The Fellowship of the Ring), TT or TTT (The Two Towers), and RK, ROTK, or RotK (The Return of the King).
Some locations and characters were inspired by Tolkien's childhood in Sarehole (then a Warwickshire village, now part of Birmingham) and in Birmingham itself.
The three parts were first published by Allen & Unwin; in 1954–1955 several months apart. They were later reissued many times by multiple publishers, as one, three, six or seven volumes. Two current printings are ISBN 0-618-34399-7 (one-volume) and ISBN 0-618-34624-4 (three volume set).
In the early 1960s, Donald A. Wollheim, science fiction editor of the paperback publisher Ace books, realised that The Lord of the Rings was not protected in the United States under American copyright law because the US hardcover edition had been bound from pages printed in the UK for the British edition. Ace Books proceeded to publish an edition, unauthorized by Tolkien and without compensation to him. Tolkien made this plain to US fans who wrote to him. Grass-roots pressure became so great that Ace books withdrew their edition and made a nominal payment to Tolkien, well below what he might have been due in an appropriate publication. However, this poor beginning was overshadowed when an authorized edition followed from Ballantine Books to tremendous commercial success. By the mid-1960s the books, due to their wide exposure on the American public stage, had become a true cultural phenomenon.
The books have been translated, with various degrees of success, into dozens of other languages.
Tolkien, an expert in philology, examined many of these translations, and had comments on each that illuminate both the translation process and his work.
The enormous popular success of Tolkien's epic saga greatly expanded the demand for fantasy fiction. Largely thanks to The Lord of the Rings, the genre flowered throughout the 1960s. Many well-written books of this genre were published (comparable works include the Earthsea books of Ursula K. Le Guin and the Thomas Covenant novels of Stephen R. Donaldson).
As in all artistic fields, a great many lesser derivatives of the more prominent works appeared.
The term "Tolkienesque" is used in the genre to refer to the oft-used and abused storyline of The Lord of the Rings: a group of adventurers embarking on a quest to save a magical fantasy world from the armies of an evil "dark lord".
The Lord of the Rings began as a personal exploration by Tolkien of his interests in philology, fairy tales, and Norse and Celtic mythology.
Tolkien detailed his creation to an astounding extent; he created a complete mythology for his realm of Middle-earth, including genealogies of characters, languages, runes, calendars and histories.
Some of this supplementary material is detailed in the appendices to The Lord of the Rings, and the mythological history was woven into a large, biblically-styled volume entitled The Silmarillion.
J. R. R. Tolkien once described The Lord of the Rings as "a fundamentally religious and Catholic work" (The Letters of J. R. R. Tolkien, 142). In it the great virtues of Mercy and Pity (shown by Bilbo and Frodo towards Gollum) win the day and the message from the Lord's Prayer "And lead us not into temptation, but deliver us from evil" was very much on Tolkien's mind as Frodo struggled against the power of the One Ring (Letters, 181 and 191). Tolkien did repeatedly insist that his works were not an allegory of any kind, and even though his thoughts on the matter are mentioned in the introduction of the book, there has been heavy speculation about the Ruling Ring being an allegory for the atom bomb.
The plot of The Lord of the Rings builds from his earlier book The Hobbit and more obliquely from the history in The Silmarillion, which contains events to which the characters of The Lord of the Rings look back upon in the book.
The hobbits become embroiled in great events that threaten their entire world, as Sauron, the servant of evil, attempts to regain the lost One Ring which will restore him to full potency.
See the articles on The Fellowship of the Ring, The Two Towers, and The Return of the King for plot summaries.
The book has been accused by a few for containing racistic and elitistic elements. The main concept is the Free Peoples (who can be identified as Europeans) against the slaves of Sauron who are Easterlings and Southrons. Also, many speculate that the Orcs represent blacks or Mongols having some of their distinct features.
There were plans for the Beatles to do a version of The Lord of the Rings but they came to nothing.
It was even said that Stanley Kubrick had looked into the possibility of filming the trilogy, but he abandoned the idea as too "immense" to be made into a movie. In the mid-1970s, renowned film director John Boorman collaborated with film rights holder and producer Saul Zaentz to do a live action picture, but the project proved too expensive to finance at that time.
In 1978, Rankin-Bass studios produced the first real film adaptation of any Lord of The Rings related material with an animated television version of The Hobbit, which is a prequel to The Lord of the Rings.
Shortly after, Saul Zaentz picked up where Rankin-Bass left off by producing an animated adaptation of "The Fellowship of the Ring" and the first portion of "The Two Towers" in 1978.
The Lord of the Rings, originally released by United Artists was directed by Ralph Bakshi and featured an animation technique in which the shadows of live actors were recorded onto the film and then drawn over.
This film was of uneven quality (perhaps a result of budget pressure or overruns, or difficulty grappling with the magnitude of the trilogy).
Some portions were fully- and well- animated, while others used Max Fleischer's rotoscope technique, where animation is laid over live action sequences.
Additionally, the film ended somewhat abruptly after the battle of Helm's Deep, but before Sam, Frodo and Gollum traverse the Dead Marshes. Despite his best efforts, Bakshi was never able to do a Part II (covering the rest of the story), leaving the door open for Rankin-Bass to do the work for him with their 1980 animated television version of The Return of the King.
Since these films were targeted to a younger audience, adult enthusiasts have complained that much of the depth and darkness of the stories was discarded.
These efforts seemed to suggest that a satisfactory movie treatment of The Lord of the Rings was not practicable. Moreover, since overall interest in the novel had waned somewhat, prospects for a visual treatment seemed poor.
However, advances in filmmaking techniques, in particular the development of computer graphics, made a movie treatment more feasible.
Miramax Films developed a full-fledged live-action adaptation of The Lord of the Rings, with Peter Jackson as director. When financing began to fall through, New Line Cinema assumed production responsibility (Miramax executives Bob Weinstein and Harvey Weinstein remained on the production crew throughout the films' making).
The three live action films (supplemented with extensive Computer-generated imagery, for example in the major battle scenes) were filmed simultaneously. The Lord of the Rings: The Fellowship of the Ring was released in December 2001. The Lord of the Rings: The Two Towers was released in December 2002 and The Lord of the Rings: The Return of the King was released in December 2003. All three films won the Hugo Award for Best (Long-form) Dramatic Presentation in their respective years.
Although some have criticized these films because they have altered the story somewhat and, arguably, have a substantially different tone from Tolkien's original vision, others have hailed them as remarkable achievements.
Noted critic Roger Ebert wrote, "[Jackson] has taken an enchanting and unique work of literature and retold it in the terms of the modern action picture. [...] To do what he has done in this film must have been awesomely difficult, and he deserves applause, but to remain true to Tolkien would have been more difficult, and braver."
Peter Jackson's film adaptation garnered seventeen Oscars (four for The Fellowship of the Ring, two for The Two Towers, and eleven for The Return of the King); these cover many of the awards categories (in fact, The Return of the King won all the awards for which it was nominated, including Best Picture), but oddly, for none of the acting categories. The Return of the King's Oscar sweep is widely seen as a proxy award for the entire trilogy.
The visual-effects work has been groundbreaking, particularly the creation of the emotionally versatile digital character Gollum.
The scale of the production alone —three films shot back to back over a period of one and a half years— is unprecedented.
The films have also proven to be substantial box office successes. The premiere of The Return of the King took place in Wellington, New Zealand on December 1, 2003 and was surrounded by fan celebrations and official promotions (the production of the films having contributed significantly to the New Zealand economy). It has made movie history as the largest Wednesday opening ever. The Return of the King was also the second movie in history (after Titanic) to earn over 1 billion $US (worldwide). At the 2004 Academy Awards, The Return of the King won all 11 Academy Awards it was nominated for —equalling the number won by Titanic six years earlier.
The BBC produced a 13-part radio adaptation of The Lord of the Rings in 1956, and a 6-part version of The Hobbit in 1966.
It is uncertain whether Tolkien ever heard either series. No recording of the 1956 series is known to exist, but The Hobbit has survived.
It is a very faithful adaptation, incorporating some passing references to The Lord of the Rings and the Silmarillion.
A 1979 dramatization was broadcast in the USA and subsequently issued on tape and CD. No cast or credits appear on the audio packaging.
Each of the actors was apparently recorded separately and then the various parts were edited together.
Thus, unlike a BBC recording session where the actors are recorded together, none of the cast are actually interacting with each other and the performances suffer badly as a result.
In 1981 the BBC broadcast a new, ambitious dramatization of The Lord of the Rings in 26 half-hour instalments. See: The Lord of the Rings (1981 radio series).
This is an Article on The Lord of the Rings. Page Contains Information, Facts Details or Explanation Guide About The Lord of the Rings Publication history
The Books
The Ring poem
The Storyline
Criticism
The Lord of the Rings on film
The Lord of the Rings on radio
Pop culture references to The Lord of the Rings
The Lord of the Rings books were an enormous influence on the Dungeons & Dragons; role-playing game, and hence continue to be a major influence on the entire field of role-playing and computer games having fantasy epic themes. Several games have been based directly on The Lord of the Rings and related works, including a board game by Reiner Knizia and a variant of Risk.Satire and parody based on The Lord of the Rings
See also
External links
The Lord of the Rings movies links