Numbered musical notation Guide, Meaning , Facts, Information and Description
The numbered musical notation, better known as jianpu (PY: jiǎnpǔ, TC: 簡譜, SC: 简谱), meaning "simplified notation" in Chinese, is a musical notation system widely used among the Chinese people. Some people call it the numeric notation or numerical notation, but it is not to be confused with the integer notation. It is also known as Ziffersystem, meaning "cipher system" in German, although cipher notations include some other unrelated musical notation systems.The same system or very similar systems are used to some extent in some European countries, and are popular in some Asian countries. This article first describes the Chinese jianpu in some detail, then describes its possible variations.
Numbers 1 to 7 represents the musical notes. They always correspond to the diatonic major scale. For example, in the key of C major, their relationship with the notes and the solfege is shown below:
Dots above or below a musical note raise or lower it to other octaves. The number of dots equals the number of octaves. For example, (6) with a dot below is at an octave lower than (6).
The plain number represents a quarter note. Underlines shorten it. One underline represents an eighth note, two underlines represents a sixteenth note, and so on. Notice how the underline imitates the number of flags in the standard notation. The underlines may even be joined together like beaming in the standard notation. Dashes after a note lengthen it, each dash by the length of a quarter note.
A dot after the plain or underlined note works increases its length by half, and two dots increases by three-quarter, similar to the standard notation. The rule is different for notes longer than the quarter note. An additional dot after the dashes actually means half the length of a quarter note.
The number 0 represents the musical rest. The rules for length is similar to that of the note, except that it is customary to repeat 0 instead of adding dashes for rests longer than a quarter rest. Unlike the standard notation, there is no single symbol for the bar rest. The bar rest of 3/4 time is (0 0 0) and the bar rest of 4/4 time is (0 0 0 0).
The rhythm of percussion instruments of undetermined pitch is usually represented by (X) or (x) using rules similar to that of then note. For example, a common clap pattern used in cheers can be written like this:
The end of a measure is marked with a vertical line. Two vertical lines represents the double bar line, and usually also the end bar line, though the thin and thick line variation resembling the standard notation is sometimes also used. Repeat signs also resemble the standard notation.
The time signature is written as a fraction (2/4), (3/4), (4/4), (6/8), etc. It is usually placed after the key signature. Change of time signature within the piece of music may be marked in-line or above the line of music.
The notation uses a movable Do(1) system. The key signature defines the pitch of 1. So 1=C means C major. Minor keys are based on the natural minor or the Aeolian mode, and the key signature defines the pitch of 6. So 6=C means C minor. Naturally, the Dorian mode of D should be marked as 2=D. Some people prefer to write (Key: C) or (Key: Cm) instead.
The same accidentals in the standard notation are used, and as in common practice, an accidental is placed before the notes (1 2 3 4 5 6 7) to raise or lower the pitch and placed after the note names (C D E F G A B), which are used for key signature and chord markings in the numbered system.
There is one caution about the use of the accidentals. In the standard notation, the C minor has flats on B, E, and A in the key signature. So when we write the harmonic minor scale, we put a natural before the Bb for the leading note. In the numbered notation, however, the leading note is always #5, because the system itself does not flat the 5 note.
Ties and slurs are curves resembling that in the standard notation, although they are always written above the music line in numbered notation. Expression marks are written similarly. Special attention has to be paid on the staccato dot since it looks like the octave changer. It is either represented by a bolder dot further away from the music line or some other shape innovation.
In some versions of the numbered musical notation, underlines indicating note length are written above the note instead. Ties and slurs may be written below the music line.
In some versions, octave change is represented in a different way. Instead of dots above or below the numbers, a horizontal line is drawn and the number is written on, above, or below the line.
The invention of the system is usually attributed to Jean-Jacques Rousseau in his work presented to the French Academy of Sciences in 1742. However, due to its straightforward correspondence to the standard notation, it is possible that many other claims of independent invention are also true.
Although the system is used to some extent in Germany, France, and Holland, and more by the Mennonites in Russia, it has never become popular in the Western world. See the external links for more information.
The system is very popular among some Asian people. Some Chinese people can sight read jianpu but not the standard notation. Some Chinese hymnals and Cantopop song book are published exclusively in jianpu. Most modern Chinese-English bilingual hymnals adds jianpu of the melody above the standard notation, and make use of it in the index for the songs.
An index using the numbered notation allows us to find a song if we remember the tune but not the name. To appreciate that, we can look at an example. A children's song book will have an index like this:
The two images below illustrate how the same piece of music is written using the standard notation and the numbered notation.
This is an Article on Numbered musical notation. Page Contains Information, Facts Details or Explanation Guide About Numbered musical notation Numbered notation (jianpu) described
Musical note
Note: C D E F G A B
Solfege: do re mi fa sol la ti
Notation: 1 2 3 4 5 6 7
Octave change
.
major scale: 1 2 3 4 5 6 7 1
natural minor scale: 6 7 1 2 3 4 5 6
· ·Note length
whole: 1 - - - dotted whole: 1 - - - - - double dotted: 1 - - - - - -
half: 1 - dotted half: 1 - - double dotted: 1 - - ·
quarter: 1 dotted quarter: 1· double dotted: 1··
eighth: 1 dotted eighth: 1· double dotted: 1··
16th: 1
=Musical rest
Undetermined pitch
4/4 > >
Clap: | X X X X X | X X X X 0 X X ||
Bar line
Time signature
Accidentals and key signature
Tie, slur, and other marks
Variations
History and Usage
|1· 1· |1 23· | Row, row, row the boat
|1 1 5 5 |6 6 5 - | Twinkle, twinkle little star
|1 2 3 1 |1 2 3 1 | Frere Jacques
Examples
External Links