Hindustani classical music Guide, Meaning , Facts, Information and Description
Hindustani (हिन्दुस्थानी) classical music is an Indian classical music tradition originating in the North of the Indian subcontinent circa the 13th and 14th centuries CE. Developing a strong and diverse tradition over several centuries, it has contemporary traditions established primarily in India, Pakistan and Bangladesh. In contrast to Carnatic music, the other main Indian classical music tradition originating from the South, Hindustani music was not only influenced by ancient Hindu musical traditions, Vedic philosophy and native Indian sounds but also by the Persian performance practices of the Afghan Mughals.
Outside India, Hindustani classical music is often associated with Indian music in general, as it is arguably the most popular stream of Indian music outside India.
A number of musical instruments are associated with Hindustani classical music. Some of the most famous instruments are the sitar, a string instrument, and the tabla, a percussion instrument, and other instruments like the sarod and sarangi.
The most famous modern performer is undoubtedly sitarist Pandit Ravi Shankar, who helped popularize Hindustani ragas outside of India. Alongside the sitar in popularity are the bansuri (a sort of flute), whose greatest player is Pandit Hari Prasad Churasia, and sarod, known among fans through the recordings of virtuoso Ustad Ali Akbar Khan. Possibly the best tabla player today is Ustad Zakir Hussain. Of course, vocalists too play a key role as 'instruments' in the Hindustani tradition. Some of the best known are Pandit Jasraj, Ustad Bade Ghulam Ali Khan and Pakistani singer Nusrat Fateh Ali Khan. When artists, usually performers (as opposed to writers) have a reached a distinguished level of achievement, titles of respect are appended to their names. Hindus are referred to as Pandits and Muslims as Ustads.
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2 Types of Compositions 3 Notes in Hindustani music 4 Other personalities 5 See Also 6 External Links |
Music has long been important to Hinduism, especially for many Vaishnavite sects. The advent of Islamic rule under the Delhi Sultanate and later the Mughal Empire over northern India caused the traditional musicians to seek patronage in the courts of the new rulers. These Islamic rulers had strong cultural and religious sentiments focussed outside of India; yet they lived in, and administered kingdoms which retained their traditional Hindu culture. This helped spur the fusion of Hindu and Muslim ideas to make qawwali and khayal. Perhaps the most legendary musician of this period is Amir Khusrau, who is credited with systematizing the Hindustani methodologies by studying the forms of Vedic music theory and spurring a chain of creative composition that melded Indian with Persian sensibilities.
Later, the Mughal Empire intermarried with Indians, especially under Jar ad-Din Akbar. Music and dance flourished during this period, and the Hindu musician Tansen is still well-remembered. Indeed, his ragas (which are based on times of the day) were reputed to have been so powerful that according to legend, upon his playing a night-time raga in the morning, the entire city fell under a hush and clouds gathered in the sky.
In the 20th century, the power of the maharajahs (Hindus) and nawabs (Muslims) declined, and thus so did their patronage. The Indian Government-run All India Radio helped to stop this development and replaced the patronage system. The first star was Gauhar Jan, whose career was born out of Fred Gaisberg's first recordings of Indian music in 1902.
The major vocal forms associated with Hindustani classical music are the khyal, ghazal, and thumri. Other styles include the dhrupad, dhammar, and tarana.
Hindustani music utilises a system of notation called sargam, a contraction for Sa Re Ga Ma. Re, Ga, Ma, Dha and Ni may be flat (komal), or sharp (tivra). The designation komal or tivra is never sung with the note's syllable, however they are notated as a line under or an acute accent above, respectively, the note's letter, such as &Macute&; and N.
History
Types of Compositions
Dhrupad
Dhrupad is a Hindu sacred style of singing traditionally performed by men with a tampura and pakhawaj accompanying. The lyrics are in a midieval form of Hindi and typically heroic in theme, or else praising a particular deity. A more ornamented form is called dhamar.Bhajan
Hindu religious vocal music, bhajan is the most popular form in northern India. Famous performers include Kabir, Tulsidas and Mirabai. It arose out of the Alvar bhakti movement of the 9th and 10th century.Ghazal
Ghazals are an originally Persian form of vocal music that is popular with multiple variations across Iran, Central Asia, Turkey and India. Ghazal exists in multiple variations, including folk and pop forms. Notable performers include Ghulam Ali, Jagjit Singh, Mehdi Hasan and Pankaj Udhas. Themes range from ecstatic love to religious piety.Khyal
An informal form of vocal music, khyal is partially improvised and very emotional in nature. Though its origins are shrouded in mystery, the 15th century rule of Hussain Shah Sharqi and was popular by the 18th century rule of Mohammed Shah. The best-known composer of the period was Sadarang, a pen name for Niamat Khan. Later performers include Faiyaz Khan, Abdul Karim Khan, Bhimsen Joshi, Bade Ghulam Ali Khan, Amir Khan and Mallikarjun Mansur. Some of the present day vocalists are Kishori Amonkar, Ulhas Kashalkar, Rashid Khan, Aslam Khan, Shruti Sadolikar, Chandrashekar Swami and Mashkoor Ali Khan.Tarana
Tarana are songs that are used to convey a mood of elation and are usually performed towards the end of a concert. They have very few lyrics and are mostly composed of rythmic sounds. It can be compared to the Tillana of Carnatic music.Thumri
Thumri is an accessible and informal vocal form said to have begun with the court of Nawab Wajid Ali Shah, 1847-1856. There are two types of thumri: Punjabi and Lucknavi. The lyrics are typically in a proto-Hindi language called Braj bhasha and are usually romantic. Performers include Shobha Gurtu, Bade Ghulam Ali Khan and Girija Devi.Notes in Hindustani music
| Sanskrit name | Sung | Written |
|---|---|---|
| Ṣadj | Sa | S |
| Riṣabh | Re | R |
| Gāndhār | Ga | G |
| Madhyam | Ma | M |
| Pancham | Pa | P |
| Dhaivat | Dha | D |
| Niṣādh | Ni | N |
Pandit Pran Nath is an influential teacher of Hindustani vocal music whose students include Don Cherry, Terry Riley, and LaMonte Young.Other personalities