Fear and Loathing in Las Vegas Guide, Meaning , Facts, Information and Description
Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream is a novel by Hunter S. Thompson, which describes the protagonist's (Raoul Duke, a fictionalised representation of Thompson) chasing of the American dream to Las Vegas through a drug-induced haze with his attorney (Dr. Gonzo, based on real-life Chicano lawyer Oscar Zeta Acosta) in tow. It is based on his attempted "coverage" of the Mint 400 motocross race for Sports Illustrated magazine in 1971. What was intended as a 250-word caption snowballed into a novel-length feature for Rolling Stone magazine in November of that year. The novel was heralded as the "best book on the dope decade" by the New York Times Book Review and "A scorching epochal sensation!" by author Tom Wolfe. The movie version, released on May 22, 1998, only pulled in about $10.5 million dollars at the US box office (it was budgeted at approximately $18.5 million) but has since become a cult classic.In his book The Great Shark Hunt, Thompson refers to Fear and Loathing in Las Vegas as "a failed experiment in gonzo journalism," a guerilla style of reporting that Thompson made famous throughout his career. Allegedly based on William Faulkner's "idea that the best fiction is far more true than any kind of journalism—and the best journalists know this," it blends storytelling, fiction, and traditional journalism in an attempt to dig out truths beyond the truth of the subject of the article. As Thompson tries to discover what the sixties meant and what was in store for America in the future, the central message of the book is that 1971 was a turning point in hippie and drug culture in America, the year that the innocence and optimism of the late 1960s turned to cynicism and burn-out.
The film version was directed by Terry Gilliam and starred Johnny Depp as Raoul Duke and Benicio Del Toro as Dr. Gonzo. Both actors were cast by the film's original director, Alex Cox who wrote the original screenplay with his longtime collaborator, Tod Davies. When Terry Gilliam became attached to the project as director he rejected the Cox/Davies screenplay for various creative reasons, and Thompson himself disliked it and did not approve of Cox's approach to the movie. Gilliam then decided to attempt his own screenplay with collaborator Tony Grisoni. When the film approached release, Gilliam learned that the Writers Guild of America (WGA) would not allow Alex Cox's and Tod Davies names to be removed from the credits even though none of their material was used in the production of the film. Angered over having to share credit, Gilliam left the WGA and, on certain early premiere prints of the film, made a short introductory sequence in which an anonymous presenter assures the audience that no screenwriters, whatsoever, were involved in writing the film, despite what you may read in the credits.
The lead actors undertook extraordinary preparations for their respective roles. Del Toro gained more than forty pounds before filming began, and extensively researched Acosta's life. Depp lived with Thompson for months, doing research for the role as well as studying Thompson's habits and mannerisms. Depp even traded his car for Thompson's red Cadillac convertible, known to fans as the Great Red Shark, and drove it around California during his preparations for the role. Many articles of the costumes that Depp wears in the film are geunine pieces borrowed directly from Thompson, and Thompson himself shaved Depp's head to match his own natural male pattern baldness.
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